![]() POL_Shortcut_InsertBeforeWine "Microsoft Outlook 2016" "source \"$POL_USER_ROOT/tools/samba3/init\"" POL_Shortcut_InsertBeforeWine "Microsoft OneNote 2016" "source \"$POL_USER_ROOT/tools/samba3/init\"" POL_Shortcut_InsertBeforeWine "Microsoft Powerpoint 2016" "source \"$POL_USER_ROOT/tools/samba3/init\"" POL_Shortcut_InsertBeforeWine "Microsoft Excel 2016" "source \"$POL_USER_ROOT/tools/samba3/init\"" POL_Shortcut_InsertBeforeWine "Microsoft Word 2016" "source \"$POL_USER_ROOT/tools/samba3/init\"" ![]() POL_Extension_Write pptx "Microsoft Powerpoint 2016" POL_Extension_Write ppt "Microsoft Powerpoint 2016" POL_Extension_Write xlsx "Microsoft Excel 2016" POL_Extension_Write xls "Microsoft Excel 2016" POL_Extension_Write docx "Microsoft Word 2016" POL_Extension_Write doc "Microsoft Word 2016" # NOTE: Add an entry to PlayOnLinux's extension file. POL_Shortcut "OUTLOOK.EXE" "Microsoft Outlook 2016" "" "" "Network Email " # NOTE: "Calendar ContactManagement "? By Quentin Pâris POL_Shortcut "ONENOTE.EXE" "Microsoft OneNote 2016" "" "" "Network InstantMessaging " # NOTE: No category for collaborative work? By Quentin Pâris POL_Shortcut "POWERPNT.EXE" "Microsoft Powerpoint 2016" "" "" "Office Presentation " POL_Shortcut "EXCEL.EXE" "Microsoft Excel 2016" "" "" "Office Spreadsheet " POL_Shortcut "WINWORD.EXE" "Microsoft Word 2016" "" "" "Office WordProcessor " # Create shortcuts, entries to extensions and finalize! # NOTE: Fix "move and change the window size (maximize/minimize/restore/resize POL_Wine_OverrideDLL "native,builtin" "riched20" # Fix the "black fields" issue! By Questor # NOTE: Uses native special version of "riched20" installed by Office 2016! # problems when the required version is not available and it tries to # even though "POL_Wine_PrefixCreate" solves this, we end up having # NOTE: Install wine version if isn't available. POL_SetupWindow_browse "$(eval_gettext 'Please select the setup file to run!')" "$TITLE" POL_SetupWindow_check_cdrom "x86/setup.exe" "setup.exe" POL_SetupWindow_InstallMethod "LOCAL,DVD" Winetricks -V || POL_Debug_Fatal "Please install winetricks before installing $TITLE!" # NOTE: Check if "winetricks" is present! By Questor POL_Debug_Fatal "$(eval_gettext "The 64bits version is not compatible! Sorry!")" Source "$POL_USER_ROOT/tools/samba3/init" Wbinfo -V || POL_Debug_Fatal "Please install winbind before installing $TITLE!" POL_RequiredVersion 4.3.3 || POL_Debug_Fatal "$TITLE won't work with $APPLICATION_TITLE $VERSION!\nPlease update!" POL_SetupWindow_presentation "$TITLE" "Microsoft" "" "Quentin Pâris, Eduardo Lucio and N0rbert, GuerreroAzul" "$TITLE" # (really we need Wine 3.4+ to fix FindNLSStringEx errors) # NOTE: Complete liste of references! By Questor # SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. # (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS # ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT ![]() # LOSS OF USE, DATA, OR PROFITS OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ![]() # (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES # DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES IN NO EVENT SHALL Quentin Pâris and Eduardo Lucio BE LIABLE FOR ANY # WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE # ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED # THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND # derived from this software without specific prior written permission. # names of its contributors may be used to endorse or promote products # * Neither the name of the free software community nor the # documentation and/or other materials provided with the distribution. # notice, this list of conditions and the following disclaimer in the # * Redistributions in binary form must reproduce the above copyright # notice, this list of conditions and the following disclaimer. # * Redistributions of source code must retain the above copyright # modification, are permitted provided that the following conditions are met: # Redistribution and use in source and binary forms, with or without # Copyright (c) 2018, Quentin Pâris, Eduardo Lucio and N0rbert, GuerreroAzul # So we need Wine 3.4+ here, but I can't run this script with it on my Ubuntu 16.04 LTS. # to call "unimplemented function KERNE元2.dll.FindNLSStringEx called in 32-bit code" # Version 0.0.1 by N0rbert - with Wine 3.0 it crashes on Welcome screen when trying # Author: Quentin Pâris, Eduardo Lucio and N0rbert, GuerreroAzul # Distribution used to test: Linux Mint 19 Xfce
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Standard gravitational acceleration is g = 9.80665 m/s 2ĭensity of air at 20☌ is ρ 20 = 1.204 kg/m 3ġ m height changes the air pressure at a constant temperature of 20☌ by This law is also assumed as an air column. The hydrostatic pressure is calculated according to Blaise Pascal: 1µbar = 0.1 Pa.Ĭhange of air pressure associated with the change in height Question: How does the air pressure change if the height changes 1 meter? 1 mbar = 100 Pa = 1 hectopascal.ġ microbar is 10 −6 bar = 1 dyne/cm². ![]() Meteorologists like this.ġ millibar = 0.001 bar = 0.750 Torr. Normal air pressure = 1.01325 bar = 1013.25 mbar.ġ000 millibars are 1 bar. The bar is nearly idendic to the atmosphere unit. The pressure, which brings a collum of mercury to 1 millimeter is called 1 Torr (1 mm Hg = 1 Torr).ġ atm = 760 Torr = 14.696 psi. Online unit Pressure Converter Convert Millibars to Psi (mBar to psi) PN3529 - Sensor de. Torricelli barometer design: One atmosphere pressure brings a colums of mercury in a Hg barometer to a height of 760 millimeter. Convert pressure: 1028 mbar (millibar) to. The bar is a measurement unit of pressure, equal to 1,000,000 dynes per square centimetre (baryes), or 100,000 newtons per square. Thus a reading of 30 psig on a tire gauge represents an absolute pressure of 44.7 psi. Normal atmospheric pressure is 1 atm = 14.696 psi - that means, an air colum above us of an area of 1 square inch weighs 14.696 pounds. If a pressure gauge is calibrated to read zero in space, then at sea level on Earth it would read 14.7 psi. Pressures of some gigapascal can convert graphite to diamonds or can form from hydogenium a mtallic conductor. millimeters of mercury (torr) millimeters of mercury (torr) millibars. The prefix "kilo" means "1000", therefore is 1 kilopascal = 1000 Pa and 101.325 kPa = 1 atm = 760 torr and 100 kPa = 1 bar = 750 torr. Enter an atmospheric pressure that you would like: Answers: inches of mercury. ![]() p = pressure F = force A = areaġ pascal = 10 dyne/cm 2 = 0.01 mbar. To accelerate 1 kilogram to 1 meter per second squared) 1 Pa ≡ 1 kg/(m įorce 1 N = 1 kg × m/s 2. Convert an altitude in feet or metres of height above sea level to a pressure reading in millibar (mbar, mb or mbr), pounds per square inch ( psi ), millimetres of mercury at zero degrees celsius ( mmHg 0 deg C) or inches of mercury at zero degrees celsius ( inHg 0 deg C). More conversions of pressure or stress units Unitġ pascal ( p = F / A) = the force F of 1 newton per square meter area (1 newton = the force, which is used Important to know: 1 Pa = 1 N/m 2 ≡ 94 dBSPL and 1 bar = 10 5 Pa.Ĭonversion of sound units: pascals to dBSPL Standard atmospheric pressure is 101,325 pascals = 1,013.25 hPa = 101.325 kPa To the Super Calculator for pressure units You will see the program but the function will not work. The used browser does not support JavaScript. Right side you will get the calculated result with the adjusted unit.Ĭlick at a free space. ĭefinition: Pressure or stress = force per area, p = F / Aį = force, A = area, p = pressure in Pa = N / m 2 ≡ kg / (m Įnter on the left side the unit and the known number.Calculations and conversions of pressure units.Headquartered north of Los Angeles in Chatsworth, California, CCS is a full service company offering complete build to specification design, research and development, 3-D modeling, prototyping, manufacturing, testing, quality control and aftersales support capabilities. About us Since the late 1950’s CCS has been a leader in providing pressure, temperature and flow switches and sensors for the Aerospace, Defense, Industrial and Energy industries. PLAY THE C NOTE ON YOUR TRUMPET AND COMPARE IT TO THE TUNERīlow the trumpet without holding any of the valves. You can check the instruction manual or online, in case you do not know how to change the note of a trumpet tuner. Adjust your trumpet tuner to a C note to check the base note of your trumpet. However, C is the simplest to play and is very easy to check. There are pictures online that you can check if you don’t know what a tuning slide looks like.įor a start, you can play any note to check the tune of your trumpet. It is located at the end of the instrument, directly below the bell, and shaped like a metal loop. The tuning slide is used to adjust the pitch of the trumpet. However, this does not condemn the use of a tuner. Learn to develop an ear for the right and wrong tones over time. Try not to get used to using a tuner often. You can buy them online or at a musical instrument store near you. There are electric trumpet tuners and tuning apps for mobile devices available. The choice of the type of tuner you want to use is left to you. Soprano Saxophone: Mendini by Cecilio SaxophoneĪ trumpet tuner would help you recognize the flat and sharp notes on a trumpet, and also allow you to adjust them as required.Mendini 3-Piece 16 inch Junior Drum Set.Rise Full Size 6-Ply Drum Set By Sawtooth.Fender FA-100 Dreadnought Acoustic Guitar.Best 38 inch Beginner Acoustic Guitar Starter Kit.Ibanez 4 String Bass Guitar – Sunburst GSRM20BS.Epiphone Les Paul SPECIAL-II Electric Guitar – Vintage Sunburst.C-1 SGR by Schecter Beginner Electric Guitar.The C-major key, marked with a gray dot, would be the C-major string most central in the layout of the Autoharp’s octave order.Ĭlick on the banner link below to open the Virtual Piano in a separate browser page. I found this useful in tuning my 12 chord Auto harp. Click the banner below to access this tuner. It allows you to tune your instrument in various different tunings. Here is a tuner for those of you who own a square neck, slide steel, resonator guitar. Simply click on the image below to begin tuning up. You bet your B ASS… we’ve got a tuner for you! Here is a Free Online Tuner for you Bass Guitar Players. Here is a Free Online Tuner for a standard Ukulele. Click the banner on the right to go to this page. > Here is an Online pitch pipe tuner for your 4-String or Tenor Banjo. Here is a pitch tuner for a five string banjo. This will also work for tuning a mandolin. Here is an online violin pitch pipe for you fiddle players. Here is a guitar tuner that you can use while online. Here is a tutorial on how to tune a guitar using Relative Tuning. When tuning a string keep in mind a note that is too high in pitch is said to be SHARP and a note that is too low in pitch is FLAT. Once you have done this you can tune the rest of your guitar’s strings by ear using relative tuning. Using a single string off the other guitar, you can tune the same string on your instrument. Some times you may not have a tuner handy, but you might have another guitar that is in tune. I would like to thank the web programmers who created these free, online applications that allow me to offer this service to you folks. Point and click on the banner below and you will be taken to an online pitch tuner for the corresponding instrument. I will explain this more adequately in an article under the Occasional Thoughts section, but for now, trust me, it is better to keep your instrument in tune. If it is way flat or sharp, the strings will ride too low or too high off the neck and will alter the forces being countered by the truss rod. ![]() A guitar neck is set up for easiest playability, when it is in tune to 44o mhz. ![]() An instrument that is out of tune may have too much, or not enough, stress on it’s neck. A properly tuned instrument, that is set up to play well, when tuned, is less likely to warp it’s neck. Tuning your instrument, on a regular basis, is not only good for making your music fit in better with other jammers but it may also extend your instrument’s lifespan. I decided that, so long as you have access to the internet and can find my web site, there will always be a basic tuner available for you folks to tune up your instrument with. ![]() ![]() Maybe they haven’t got a tuner to tune their instrument with. Too many amateur musicians, that I have sat down with, do not spend enough time or effort to tune up before a jam. If your slightly out of tune it will stick out like a sore thumb. If your in the wrong key you might, at least occasionally, harmonize with the other instruments. Sure it would be cheaper to simply buy a tuner than purchase a thousand dollar computer and an online internet service, but…, if you already have these things then this stuff is FREE!!!Īn old music teacher of mine once told me that you are better off playing in the completely wrong key then playing in a group when you instrument is tuned a little flat or sharp. ![]() Liszt split the tone poem into three movements played without a break remaining as faithful as possible to the drawing. From the Cradle to the Grave was inspired by Mihaly Zichy's drawing depicting the three main stages of life: Cradle, Fight for Existence and Death. 'Die Ideale' is based on Schiller's poem of the same name and is the second longest of the tone poems at almost half an hour. The final two symphonic poems contain no specific improvement on the previous ones but still have much to commend them. It was premièred in December 1857 at Weimar. Dealing with the exploits of the Hun Attila it was inspired by Wilhelm Von Kaulbach's painting: 'The Battle on the Catalonia Plain' Incorporating the innovative use of the organ, it is a most exciting piece making it inconceivable that performances of this work remain extremely rare. The Eleventh, 'Hunnenslacht' (Battle of the Huns) is very similar to Mazeppa in its layout and storyline. Unfortunately, this work remained unperformed for several decades in its final form for it was first intended as an overture to a musical drama. The Tenth 'Hamlet' is very mysterious and eerie depicting Shakespeare's classic plot to the full. This brings us to the final quartet of tone-poems, probably unknown to most but of great musical importance nonetheless. This was the only symphonic poem to receive its' première in the composers native land (8 th September 1856) an event which can count amongst Liszt's greatest artistic achievements. It is sporadically based on Mihaly Vorosmarty's homage to Liszt recalling Hungary's great national heroes. The Ninth, 'Hungaria' is another bombastic work without a set programme. Indeed many scholars believe that this is his greatest of all the tone poems. Here Liszt surpasses himself in composing a funeral elegy of great depth using dissonances which were well ahead of their time. The Eighth, 'Héroïde funèbre' is another march though in completely different mood to 'Festklänge'. The Seventh has no particular programme and is merely a succession of thematic motifs interwoven into a gigantic march. The composition is based on Victor Hugo's poem from 'Les Orientales' and was performed for the first time in April of 1854. 'Mazeppa' is another work that is frequently heard, with the Polish legend aptly described by Liszt with even Mazeppa's fall from his horse described in orchestral terms. Prometheus is filled with orchestral playing of great difficulty and can be counted as Liszt's most innovative work during the Weimar period. ![]() The Fifth and Sixth symphonic poems bring together two famous legends, Prometheus and Mazeppa. ![]() Both works were performed under Liszt's baton in 1854. 'Orpheus' is completely different, a quiet piece depicting the Greek God with the harp used most delicately, this piece was a particular favorite of the English conductor, Sir Thomas Beecham. 'Les Préludes' is a showpiece for orchestra with several memorable themes (which have found their way into various modern television programmes) well constructed and very confident in its dramatic assertation. The next two symphonic poems, 'Les Préludes' after Alphonse de Lammartine and 'Orpheus' based on the famous Greek legend are the only two works that are played with any regularity in modern concerts. The subject matter of the earthly disappointments and divine triumph was something that was to feature later in 'Mazeppa' and 'Hunnenslacht'. The composer conducted the first performance at Weimar in April 1854. The second, 'Tasso, Lamento e Trionfo' is based on Lord Byron's epic poem and can count as one of Liszt's most popular works. Liszt took his subject from Victor Hugo's poem of the same name with the heady romanticism of the poem admirably captured by the music. It is rather long (over 30 minutes) and is in fact sometimes referred to as 'Bergsinfonie'. Liszt's first symphonic poem 'Ce qu'on Entend sur la Montagne' was composed between 18 with the composer conducting the first performance at Weimar in February 1850. We are only concerned with the former works, as it was here that Liszt was to prove his mettle as a composer for orchestra. Liszt also composed two programme symphonies: 'Faust' after Goethe and Dante after the great Italian poet's memorable work. ![]() It is very wrong to do so, as Liszt was also immensely active in the orchestral field, being the creator of the symphonic poem, which was to reach perfection with Richard Strauss. The great Hungarian composer, Franz Liszt is most of the time only remembered as a superb piano virtuoso or as the composer who wrote solely for that instrument. ![]() In fact, how could it? Given how complex human behaviour is, how could one single approach ever hope to change it? There's not a single example of this being successfully done in history, at least not without impinging on human rights.Īs I have shown before, if we are honest about the possibility of failure, then we can use it to learn what to do better. This takes the burden off nudge being solely responsible for behavioural change, especially since alone it doesn't do much. For example, as I have shown, combinations of nudging methods together with changes in taxation and subsidies have a stronger effect on sustainable consumption than either being implemented alone. A better way forward would be to focus on building an evidence base showing which combinations of nudges and other approaches work together. That said, efforts to use behavioural interventions need not be abandoned. But many, including myself, have long known this – spending many years carefully commenting on the various ways research on nudging needs to improve, and have been largely ignored. Right now, the best science we have is seriously questioning the effectiveness of nudging. And they often don't consider the benefits relative to the actual costs of using nudges, or work out whether nudges are in fact the actual reason for positive effects on behaviour. For example, scientists overly rely on certain types of experiments. This year, a colleague and I highlighted that, regardless of the 2021 results, there are still general issues with nudge science. The authors of the original 2021 study, which reported a moderate effect size of nudging on behaviour, ruled out publication bias that was severe enough to have a major influence on the reasonable effect size they found. This may be because editors and reviewers at scientific journals want to see findings showing that an experiment worked – it makes for more interesting reading, after all. This is the cherry-picking of results to show a win for nudge, meaning that studies finding that nudges don't work aren't included or even published in the first place. A big p-value would mean that the differences between the two groups can largely be explained by chance.Ī good study needs to show a moderate or large effect size, but it also needs to set out how much of it was the result of “ publication bias”. This is called the p-value, and the lower it is the better. If I then find a difference, I use statistics to work out how probable it is that this would have happened by chance alone. So, if in my experiment there is a group of people who are exposed to a specific nudge technique, and a control group that isn't nudged, my starting point is that the two groups won't differ.
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